Anti-singular constitutes a cinematic exploration of self-reflection and metamorphosis, drawing theoretical inspiration from multiverse cosmology and the perpetual flux of experiential reality. The work interrogates the paradox of identity within infinite possibility, proposing that transformation and continuity exist in dialectical tension rather than opposition.

The narrative unfolds through the journey of a solitary cube suspended within a vast oceanic expanse, navigating through aerial space with purposeful determination. This geometric protagonist traverses the boundless aquatic environment until encountering another cube, culminating in their synthesis into a unified form. The kinetic vocabulary and sonic landscape emerge from contemplations of parallel universe theories, where each moment branches into countless alternate trajectories.

Yet within this boundless multiplicity, a centered consciousness persists—not as static entity, but as a dynamic field that grows through relational exchange with its surrounding ecologies. This represents my inaugural venture into fully three-dimensional narrative space, synthesizing original musical composition with captured aquatic imagery. The fluid aesthetics serve as both literal and metaphorical substrate, suggesting the permeable boundaries between self and environment, between singular identity and collective becoming.

The work positions the "anti-singular" as a post-individual mode of being—one that embraces infinite change and infinite possibility while maintaining coherent agency within networks of interdependence. Through digital synthesis, the film articulates a vision of subjectivity as fundamentally relational, always already multiple, visualized through the geometric dance of cubic forms finding unity within oceanic infinity.